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b. 44
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composition: Op. 10 No 11, Etude in E♭ major
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Same as in the case of the remaining indications in bars 43-44, omission of dolcissimo in FE (→GE,EE) does not have to be considered as corresponding to Chopin's intention. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 44-47
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we give the interpretation of the slurs of A in bars 44-45 and 46-47 which is compliant with the unequivocal slurring of analogous bars 25-26. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 44
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we give the wedge written in A, most probably overlooked in FE (→GE). In EE a dot was added in this place. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Wedges |
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b. 44
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we do not include the fingering added by Fontana in EE. category imprint: Differences between sources issues: EE revisions |
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b. 44-47
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composition: Op. 10 No 11, Etude in E♭ major
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The category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , FE revisions , No pedal release mark |