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Issues : Scope of dynamic hairpins
b. 9-13
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composition: Op. 10 No 12, Etude in C minor
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We give the pairs of hairpins, appearing under similar figures in the L.H. in these bars and their repetitions in the entire Etude, in a unified version for each of the sources, in spite of the fact that the marks differ in their range. Same as in the case of slurs, the regularity of the texture and numerous repetitions of similar figures contribute to the decision not to consider these minor divergences in transcriptions. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins |
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b. 19-23
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composition: Op. 10 No 12, Etude in C minor
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For each source we give the pairs of hairpins appearing under similar figures in the L.H. in the unified version. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins |
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b. 51-64
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composition: Op. 10 No 12, Etude in C minor
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We give the pairs of hairpins appearing in bars 51-53 and 59-64 under similar figures in the L.H. in a unified version for each of the sources (applies also to bar 62, discussed separately). category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins |
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b. 51-63
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composition: Op. 10 No 12, Etude in C minor
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In A the motifs in the R.H. in the 2nd halves of bars 51-53 and 60-63 are provided with category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins |
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b. 78
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composition: Op. 10 No 12, Etude in C minor
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The interpretation of the category imprint: Interpretations within context; Differences between sources issues: Scope of dynamic hairpins |