Issues : EE revisions
b. 53
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composition: Op. 10 No 12, Etude in C minor
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The accidental nature of the slur's oversight in A (→FE→GE) is undeniable. We add the slur after EE. category imprint: Differences between sources issues: EE revisions |
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b. 55-56
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the fingering added by Chopin at the time of proofreading FE (→GE). This time Chopin wrote more digits than in analogous bar 15. We do not include detailed additions by Fontana in EE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 55
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composition: Op. 10 No 12, Etude in C minor
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In A (→FE→EE3) there is neither the raising B to B nor the lowering d1 to d1. These patent oversights were completed in GE and EE4. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Errors of A |
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b. 57-59
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composition: Op. 10 No 12, Etude in C minor
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We do not include the fingering added by Fontana in EE. It generally does not differ from the fingering based on the one by Chopin added by Fontana in analogous bars 17-19. category imprint: Differences between sources issues: EE revisions |
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b. 57
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composition: Op. 10 No 12, Etude in C minor
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In the main text we separate the c2 note from the chord, as in this case Chopin's simplified notation may be unclear, e.g., considered to be erroneous, as it probably occurred in EE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Different values of chord components , Errors in EE |