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Issues : EE revisions
b. 27-28
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composition: Op. 10 No 12, Etude in C minor
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Bar 27 is one of two bars in which the fingering is already included in A. It was repeated and completed in FE (→GE,EE), yet with one exception – the last digit in A is written under the penultimate note and in the editions – under the last one. According to us, the engraver's error is a more possible explanation than Chopin's correction. Therefore, in the main text we consider both possibilities, however, we give preference to the undoubtedly authentic version of A. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 29-32
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the undoubtedly authentic fingering of FE (→GE). Fontana completed it in EE in bar 32 after bar 28. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 31
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composition: Op. 10 No 12, Etude in C minor
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In A (→FE) there is no
In GE1 the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in GE , GE revisions |
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b. 31
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composition: Op. 10 No 12, Etude in C minor
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A has an unnecessary category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , GE revisions , Cautionary accidentals |
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b. 32
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composition: Op. 10 No 12, Etude in C minor
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In A (→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in GE , GE revisions |