Issues : Authentic corrections of FE
|
b. 58
|
composition: Op. 10 No 12, Etude in C minor
..
The natural added in a proofreading of FE (→GE,EE), probably by Chopin, is almost certainly a correction of a mistake and not a change of the original version. category imprint: Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
||||||||
|
b. 65-68
|
composition: Op. 10 No 12, Etude in C minor
..
In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). We do not include detailed additions performed by Fontana in EE. See also the note in bar 67. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
||||||||
|
b. 65
|
composition: Op. 10 No 12, Etude in C minor
..
In A there are no accidentals before the chord on the 4th beat of the bar. This patent oversight was corrected in FE (→GE,EE). category imprint: Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
||||||||
|
b. 67
|
composition: Op. 10 No 12, Etude in C minor
..
A does not include the category imprint: Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Errors of A , Authentic corrections of FE |
||||||||
|
b. 68
|
composition: Op. 10 No 12, Etude in C minor
..
In the main text we give d (with a cautionary category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in EE , Cautionary accidentals , Authentic corrections of FE |
before the topmost note of the chord on the 3rd beat of the bar. This patent oversight was completed in 
) after