Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 12, Etude in C minor
In the main text we give pairs of 
hairpins following similar figures in bar 10 and analog., as well as identical figures in bar 64. In A both bars 14 and 54, in which there are also no dynamic marks in the L.H., fall at the beginning of the line and before a pair of bars of different figuration contour and accent layout in the R.H., which could have distracted Chopin.
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Articulation, Accents, Hairpins
