EE3
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
compare
  b. 1

in A

in FE (→GE,EE

We give the time signature after A. Although FE (→GE,EE) displays , it is, however, difficult to assume that the change of time signature was intentional if in FE the  was not used in Etudes even once (contrary to the manuscripts), cf. the Etude in C major, No. 1, C minor, No. 4 and F major, No. 8. The phenomenon also applies to other pieces, even in the most obvious cases, e.g., in the Etude in F minor, Op. 25 No. 2, D major, Op. 25 No. 8 or F minor, Dbop. 36 No. 1.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in FE, 4/4 or 2/2

notation: Rhythm

Go to the music

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Original in: Royal Academy of Music, London