Page: 
Source: 
p. 4, b. 38-51
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
Main text
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 45-46

Rests in CLI & GE (except GE3)

No rests in FE (→EE2EE3)

Rests in GE3 & EE4

Our variant suggestion

The sources differ when it comes to the notation of rests at the end of these bars. The natural notation of CLI, in which the part of the R.H. ends with a rest, however, was not repeated in FE (→EE2EE3). As it is not certain whether omitting the rests was done on purpose by Chopin, in the main text we propose rests in brackets as a variant solution. After all, the difference has a rather ideological than practical character. In the remaining editions the rests are present, which is most probably a result of revisers' actions. In EE4 and GE3 both rests are in bar 45, which is most probably a mistake.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Errors in EE, Errors in GE, GE revisions

notation: Rhythm

Missing markers on sources: GE1