mUltimate Chopin

Op. 10 No 1, Etude in C major

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 67-79
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
Main text
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Important
Main
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  b. 77-78

No fingering in CLI & FE (→GE)

Chopin's fingering in FES

Fingering in EE

We openly give the fingering added by Chopin in FES in bar 77 in the main text, as its universal character does not raise any doubts. Identical fingering was added by Fontana in EE, additionally complemented in bar 78.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Annotations in FES

notation: Fingering

Missing markers on sources: GE1
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