Fingering
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b. 1-11
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composition: Op. 10 No 1, Etude in C major
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The fingering in bars 1, 4 and 11, as the entire fingering given in the main text of the Etude based on FE (→GE,EE), certainly comes from Chopin. In EE Fontana completed it in bars 2 and 8-10 with the digits describing the fingering indicated by Chopin in a slightly more accurate manner. category imprint: Differences between sources issues: EE revisions |
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b. 3
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composition: Op. 10 No 1, Etude in C major
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The fingering given in the main text, drawn from FE (→GE), is certainly authentic. In EE it was completed with digits added by Fontana, which, in this case, describes an alternative fingering. category imprint: Differences between sources issues: EE revisions |
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b. 5
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composition: Op. 10 No 1, Etude in C major
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In the main text we give the undoubtedly authentic fingering of FE (→GE). In EE it was completed with a digit added by Fontana, which indicates a different fingering than the one by Chopin. category imprint: Differences between sources issues: EE revisions |
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b. 12-26
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composition: Op. 10 No 1, Etude in C major
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The fingering in bars 12-13, 15-21 and 24-26, originating from FE (→GE,EE) and adopted to the main text, must be authentic. category imprint: Differences between sources |
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b. 14
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composition: Op. 10 No 1, Etude in C major
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The fingering added by Fontana in EE is contrary to Chopin's indications in similar figures in bars 4, 18 and 20. category imprint: Differences between sources issues: EE revisions |
