mUltimate Chopin

Op. 10 No 1, Etude in C major

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 38-51
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
Main text
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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Differences
No differences
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 38-40

No marks in CLI & EE2 (→EE3)

Long accents in FE (→GE1)

Short accents in GE2 (→GE3→GE4→GE5) & EE4

The accents in bars 38 and 40 in FE (→GE1) have a form suggesting the use of long accents by Chopin. In EE2 (→EE3) the signs were omitted. In the remaining editions common short accents were given.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, EE revisions, Errors in EE

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1
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