mUltimate Chopin

Op. 10 No 1, Etude in C major

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Page: 
Source: 
p. 5, b. 52-66
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
Main text
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 54-58

No fingering in CLI & FE (→GE)

Fingering in EE

In bars 51-58 in FE (→GE) there is no fingering. Chopin probably thought the indications he gave in analogous bars 3-8 and 1-2 to be sufficient. Adding the indications in bars 54-58 in EE, Fontana stuck to the fingering resulting from Chopin's indications.

See b. 1-11

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Fingering

Missing markers on sources: GE1
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