Page: 
Source: 
p. 4, b. 38-51
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
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Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 38-50

No fingering in CLI

Fingering in FE (→GE1GE2GE3)

Additional fingering in EE

Additional fingering in GE4 (→GE5)

The fingering in bars 38-45 and 47-49, originating from FE (→GE,EE) and adopted to the main text, is certainly authentic. In EE Fontana added to it 29 digits in bars 42, 44, 46 and 50; the additions do not change the fingering stemming from Chopin's indications. At the beginning of bar 42 an arbitrary completion of the fingering's digits was performed also in GE4 (→GE5). 

See b. 1-11

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, GE revisions

notation: Fingering

Missing markers on sources: GE1