mUltimate Chopin

Op. 10 No 1, Etude in C major

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Page: 
Source: 
p. 3, b. 27-37
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
Main text
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Pitch
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Pedalling
Fingering
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No differences
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 27-37

No fingering in CLI

Fingering in FE (→GE)

Fingering in EE

The fingering in bars 27-30, 32-35 and 37 from FE (→GE,EE) adopted in the main text is certainly authentic (see however bar 27). In EE Fontana completed it in bar 36, according to the fingering resulting from Chopin's indications in the previous bar.
In GE4 (→GE5) the 5 digit over c1 in bar 37 was omitted.

See b. 1-11

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Fingering

Missing markers on sources: GE1
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