Page: 
Source: 
p. 2, b. 1-17
p. 1
p. 2, b. 1-17
p. 3, b. 18-33
p. 4, b. 34-48
p. 5, b. 49-63
p. 6, b. 64-79
GE1 - First German edition
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Rhythm
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No differences
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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copy link PDF GE1 - First German edition

Original in: The University of Chicago Library, Chicago


  b. 1-11

No fingering in CLI

Fingering in FE (→GE

Additional fingering in EE

The fingering in bars 1, 4 and 11, as the entire fingering given in the main text of the Etude based on FE (→GE,EE), certainly comes from Chopin. In EE Fontana completed it in bars 2 and 8-10 with the digits describing the fingering indicated by Chopin in a slightly more accurate manner.

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category imprint: Differences between sources

issues: EE revisions

notation: Fingering