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Op. 10 No 1, Etude in C major

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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 1-2

composition: Op. 10 No 1, Etude in C major

No accents in CLI & EE2

Accents in FE (→GE) & EE3 (→EE4) 
..

In both known copies of EE2, the omitted accents were added by hand. They were also added in the later impressions of EE.

category imprint: Differences between sources

issues: Errors in EE

b. 8

composition: Op. 10 No 1, Etude in C major

No mark in CLI & GE4 (→GE5)

Long accent in FE

Short accent in GE1 (→GE2→GE3) & EE
..

The accent sign in FE is clearly different than in bars 1-2. Most probably, according to Chopin's intentions, it was supposed to be a long accent. Both in GE and in EE it was rendered as a casual short accent. In GE4 (→GE5) the sign was omitted, which was probably a mistake.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , Errors in GE

b. 38-40

composition: Op. 10 No 1, Etude in C major

No marks in CLI & EE2 (→EE3)

Long accents in FE (→GE1)

Short accents in GE2 (→GE3→GE4→GE5) & EE4
..

The accents in bars 38 and 40 in FE (→GE1) have a form suggesting the use of long accents by Chopin. In EE2 (→EE3) the signs were omitted. In the remaining editions common short accents were given.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , EE revisions , Errors in EE

b. 48

composition: Op. 10 No 1, Etude in C major

No sign in CLI & EE2

 in FE

 in GE & EE3 (→EE4)
..

We give  after FE, based on the manuscript and corrected by Chopin. In the remaining editions the sign was slightly shortened, while in EE2 it was omitted (cf. bars 71-78).

category imprint: Differences between sources

b. 49-50

composition: Op. 10 No 1, Etude in C major

No marks in CLI & FE (→GE,EE2)

Accents in EE3 (→EE4)
..

In EE3 (→EE4) the accents were added according to bars 1-2.

category imprint: Differences between sources

issues: EE revisions