mUltimate Chopin

Op. 10 No 1, Etude in C major

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Page: 
Source: 
p. 6, b. 67-79
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
Main text
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 71-78

No signs in CLI & EE2

  in FE (→GE) & EE3 (→EE4)

Four pairs of dynamic hairpins in FE (→GE) and EE3 (→EE4) are undoubtedly authentic. However, the reason they are missing in EE2 is not entirely clear, yet it seems plausible to assume that the engraver of EE worked in parts covering particular kinds of signs and, perhaps influenced by the lack of dynamic hairpins on the previous pages of the Etude, he omitted this stage also on this page. See also bars 69-70 and 76.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in EE

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1
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