mUltimate Chopin

Op. 10 No 2, Etude in A minor

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Page: 
Source: 
p. 4, b. 29-38
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 29

b1-b1-a1 in CLI

b1-a1-g1 in Ap, FEcor & GE

b1-a1()-g1 in FE (→EE)

This is the second of the places in which Chopin changed the melodic line of the Etude (cf. bar 28). The final version is present in Ap, it was also already written in the base text for FE.

In one of the last proofreadings of FE (→EE) a cautionary  was added before the 14th semiquaver a1. In this context the sign seems to be totally unnecessary.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Cautionary accidentals, Authentic corrections of FE, Main-line changes

notation: Pitch

Missing markers on sources: GE1
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