Page: 
Source: 
p. 5, b. 39-49
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
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Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 44

b1 & b in CLI

b1b1 & b in FEcor 

b1 & b in ApFE (→GE,EE

The version of CLI without the Neapolitan chord was changed by Chopin in Ap, yet not in the base text for FE (differently as in analogous bar 17). Only in FEcor Chopin added the flats lowering b to b and b1 to b1, yet both accidentals were put on the 2nd beat of the bar, as if bwas still supposed to be in the 1st chord. It was probably a mistake, as in one of the subsequent proofreadings Chopin added a  also at the beginning of the bar (the unnecessary  on the 2nd beat of the bar was removed only in GE3 and subsequent GE,s). 

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions, Accompaniment changes

notation: Pitch

Missing markers on sources: GE1