mUltimate Chopin

Op. 10 No 2, Etude in A minor

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Page: 
Source: 
p. 5, b. 39-49
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 45-46

In CLI the copyist wrote f1 as the lower note on the 2nd beat of bar 45, whereas in bar 46 – f2. In both places one can also see added notes: d1 in bar 45 and d2 in bar 46, which certainly proves a correction (in bar 46 even a delicate deletion of f2 is visible). 

Compare the passage in the sources»

category imprint: Corrections & alterations

issues:

notation: Pitch

Missing markers on sources: FE1, Ap, FE2, FED, FEJ, FES, FEcor, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1
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