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Issues : GE revisions
b. 41
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composition: Op. 10 No 2, Etude in A minor
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The fifth on the 3rd beat of the bar in CLI is probably the original version. The sources also reflect Chopin's hesitation concerning the position of the cautionary category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Accompaniment changes , Authentic corrections of FE |
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b. 42-43
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composition: Op. 10 No 2, Etude in A minor
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In the version prepared for printing Chopin did not use the dynamic hairpins he wrote in Ap (also in the next bar). In one of the last proofreadings of FE (→GE,EE) he, however, added a verbal indication. In the main text we suggest to extend the marked range of the indication, as there is no doubt that crescendo leads to category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 44
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composition: Op. 10 No 2, Etude in A minor
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The version of CLI without the Neapolitan chord was changed by Chopin in Ap, yet not in the base text for FE (differently as in analogous bar 17). Only in FEcor Chopin added the flats lowering b to b category imprint: Differences between sources issues: GE revisions , Accompaniment changes |
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b. 46
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composition: Op. 10 No 2, Etude in A minor
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The sources differ in the number of octaves written in an abbreviated form with the use of 8: three in CLI, the 2nd and 3rd in Ap, 3rd in FE. Both in GE and EE the use of abbreviations was totally rejected. category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE , Abbreviated octaves' notation |
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b. 48
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composition: Op. 10 No 2, Etude in A minor
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The dim. indication in Ap appears together with a change of articulation of the lower voice in the R.H. marked in this manuscript. category imprint: Differences between sources issues: GE revisions |