Issues : EE revisions
b. 31
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composition: Op. 10 No 2, Etude in A minor
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In CLI and Ap the 7th and 15th semiquavers are written as a1. At the same time, the notation of Ap is faultless, whereas in CLI there is no returning a1 on the 4th beat of the bar. The latter also appears in FEcor, in which Chopin added the , yet only before the last note. It was moved to the correct position only in a later proofreading of FE (→EE2→EE3), which, eventually, displays an entirely correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Enharmonic corrections , Authentic corrections of FE |
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b. 37
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composition: Op. 10 No 2, Etude in A minor
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The fifth on the 3rd beat of the bar in CLI is probably the original version. In the sources Chopin's hesitation is also reflected, as far as the position of the cautionary before c1 is concerned. In the main text we adopt – following FE (→EE2→EE3) – the sign before the chord on the 3rd beat of the bar. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Accompaniment changes , Authentic corrections of FE |
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b. 39
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composition: Op. 10 No 2, Etude in A minor
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The mark in Ap may be, according to us, interpreted as an accent (short or long?) or . Similarly as in bar 38, in the main text we do not consider this ambiguous mark. The hairpin was arbitrarily added in EE3 (→EE4), certainly after bar 4. category imprint: Interpretations within context; Differences between sources issues: Long accents , EE revisions |
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b. 39
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composition: Op. 10 No 2, Etude in A minor
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The ties sustaining b are probably (GE) or certainly (EE4) an addition of the revisers of these editions. In the main text we adopt the unequivocally authentic version of CLI, Ap and FE (→EE2→EE3). category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 41
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composition: Op. 10 No 2, Etude in A minor
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The fifth on the 3rd beat of the bar in CLI is probably the original version. The sources also reflect Chopin's hesitation concerning the position of the cautionary before c1. In the main text we adopt – following FE (→EE2→EE3) – the accidental before the chord on the 3rd beat of the bar. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Accompaniment changes , Authentic corrections of FE |