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Issues : EE revisions
b. 31
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composition: Op. 10 No 2, Etude in A minor
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In CLI and Ap the 7th and 15th semiquavers are written as a category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Enharmonic corrections , Authentic corrections of FE |
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b. 37
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composition: Op. 10 No 2, Etude in A minor
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The fifth on the 3rd beat of the bar in CLI is probably the original version. In the sources Chopin's hesitation is also reflected, as far as the position of the cautionary category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Accompaniment changes , Authentic corrections of FE |
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b. 39
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composition: Op. 10 No 2, Etude in A minor
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The mark in Ap may be, according to us, interpreted as an accent (short or long?) or category imprint: Interpretations within context; Differences between sources issues: Long accents , EE revisions |
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b. 39
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composition: Op. 10 No 2, Etude in A minor
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The ties sustaining b are probably (GE) or certainly (EE4) an addition of the revisers of these editions. In the main text we adopt the unequivocally authentic version of CLI, Ap and FE (→EE2→EE3). category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 41
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composition: Op. 10 No 2, Etude in A minor
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The fifth on the 3rd beat of the bar in CLI is probably the original version. The sources also reflect Chopin's hesitation concerning the position of the cautionary category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Accompaniment changes , Authentic corrections of FE |