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Issues : EE revisions
b. 28
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composition: Op. 10 No 2, Etude in A minor
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We add cautionary naturals before the G-g octave. The addition was also made in GE2 (→GE3→GE4→GE5) and EE4. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 29
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composition: Op. 10 No 2, Etude in A minor
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Chopin did not mark the ending of the slur in FE (→EE2→EE3), whose beginning he wrote himself in FEcor (→FE→GE,EE). We add the only possible addition in this situation, in accordance with the ending of the slur introduced in GE (and EE4). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 29
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composition: Op. 10 No 2, Etude in A minor
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The semibreve in CLI is undoubtedly the original version. In the final version Chopin enriched the sound and made the rhythm more robust. In Ap category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Accompaniment changes |
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b. 30
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composition: Op. 10 No 2, Etude in A minor
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category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE |
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b. 30-32
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composition: Op. 10 No 2, Etude in A minor
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In all sources there are slurs combining tritons with the following octaves (some of them or all). Two slurs in CLI are the only performance markings in this manuscript. In the authentic sources the double slurs do not appear next to all four pairs of two-note chords, however, there are reasons to think that it may be an inaccuracy of the notation. Therefore, in the main text we propose such homogeneous notation, already introduced in EE4 and GE4 (→GE5). category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE |