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Issues : Omissions to cancel alteration
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b. 18
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composition: Op. 10 No 2, Etude in A minor
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In the sources one or both naturals before the a1-c2 third were omitted. Lack of the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration |
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b. 19-20
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composition: Op. 10 No 2, Etude in A minor
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In none of the authentic sources the notation of the accidentals in the part of the R.H. is entirely correct in these bars – particularly in bar 19. However, the inaccuracies do not pose problems in establishing the correct text. Moreover, in all sources except for Ap the unnecessary category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE , Errors of CLI |
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b. 36
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composition: Op. 10 No 2, Etude in A minor
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In CLI there are no naturals returning a1, d2 and f2. The accidentals were also absent in FEcor, in which Chopin, however, added all of them. Eventually, both FE (→GE,EE) and Ap have the correct notation. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE , Errors of CLI |
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b. 39
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composition: Op. 10 No 2, Etude in A minor
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In CLI and FEcor the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of CLI |
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b. 40
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composition: Op. 10 No 2, Etude in A minor
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In CLI there are no naturals returning a1 and d2. The accidentals were also originally absent in FEcor, in which Chopin added both these two naturals and a third one returning f2 on the last semiquaver in the lower voice. Eventually, both FE (→GE,EE) and Ap have the correct notation. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE , Errors of CLI |
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