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Issues : Inaccuracies in FE
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b. 28
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composition: Op. 10 No 2, Etude in A minor
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The slur starting from the G-g octave was written by Chopin in FEcor, yet without determining the final point – in bar 29, which is already on a new line, there is no continuation of this slur. The ambiguity was carefully reproduced in FE (→EE2→EE3), while in GE (and EE4) a natural in this situation ending of the slur was added. category imprint: Graphic ambiguousness; Differences between sources |
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b. 29
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composition: Op. 10 No 2, Etude in A minor
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Chopin did not mark the ending of the slur in FE (→EE2→EE3), whose beginning he wrote himself in FEcor (→FE→GE,EE). We add the only possible addition in this situation, in accordance with the ending of the slur introduced in GE (and EE4). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 29
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composition: Op. 10 No 2, Etude in A minor
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The unequivocal long accent, written by Chopin in FEcor, was erroneously recreated as a diminuendo mark in FE (→GE,EE). Although the category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 29
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composition: Op. 10 No 2, Etude in A minor
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The semibreve in CLI is undoubtedly the original version. In the final version Chopin enriched the sound and made the rhythm more robust. In Ap category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Accompaniment changes |
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b. 30
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composition: Op. 10 No 2, Etude in A minor
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category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE |
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