Issues : Chopin's hesitations
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b. 9-15
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composition: Op. 10 No 2, Etude in A minor
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The articulation of the accompanying two-note chords, extended in Ap in bars 9-10 and 13-15, seems to be a one-time exclusive idea or a certain transitional phase in the shaping process of the Etude's text. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
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b. 11-12
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composition: Op. 10 No 2, Etude in A minor
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In Ap the rhythmic values of the subsequent two-note chords in the lower voice of the R.H. constitute an alternating short-long (semiquaver-crotchet) scheme in these bars. Moreover, the contrast of the resounding's length is underlined with accents here and there. In the main text we give the homogeneous version of FE (→GE,EE), as far as the sound is concerned. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
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b. 12
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composition: Op. 10 No 2, Etude in A minor category imprint: Corrections & alterations; Source & stylistic information issues: Chopin's hesitations |
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b. 15
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composition: Op. 10 No 2, Etude in A minor
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In the lower voice CLI has the d3-e3 second. This original version was not entirely forgotten by Chopin during proofreading of FE, which is proved by adding and then deleting e3 in FEcor. Cf. bar 42. category imprint: Differences between sources issues: Chopin's hesitations , Accompaniment changes |
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b. 16-18
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composition: Op. 10 No 2, Etude in A minor
category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
