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Issues : Authentic corrections of FE
b. 25-26
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composition: Op. 10 No 2, Etude in A minor
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The additional c3 notes, visible in CLI and Ap at the beginning of these bars in the lower voice, were deleted by Chopin in FEcor. In FE in bar 25 a category imprint: Differences between sources |
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b. 25-26
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composition: Op. 10 No 2, Etude in A minor
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The category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 25-28
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composition: Op. 10 No 2, Etude in A minor
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In the main text we give three staccato dots, at the beginning of bars 25-27, written by Chopin in FEcor. In finished FE (→GE,EE) only the dot in bar 26 was printed. Ap displays a richer set of staccato markings. category imprint: Differences between sources issues: Authentic corrections of FE , Wedges |
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b. 27
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composition: Op. 10 No 2, Etude in A minor
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In CLI and FEcor there are no accidentals before the fourth in the lower voice, which is certainly a mistake. category imprint: Differences between sources issues: Errors in FE , GE revisions , Cautionary accidentals , Authentic corrections of FE , Errors of CLI |
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b. 27
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composition: Op. 10 No 2, Etude in A minor
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In one of the last proofreadings of FE the A-a octave was preceded with naturals, which are highly unjustified here. The signs were probably added – by Chopin or perhaps by the reviser who worked with him – together with the necessary category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Authentic corrections of FE |