Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 2, Etude in A minor
In CLI the last beat of bar 27 and the 1st half of bar 28 are written in the part of the R.H. with the use of an octave sign, which, however, stops at the end of bar 27. The mechanical error of the copyist leaves no place for doubts, as there is no loco indication, with which the return to the written pitch was indicated back then. The musical context also unanimously indicates the place where the octave sign was supposed to end.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Errors of CLI
notation: Pitch
