EE2
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 29

 on first beat in Ap

 on second beat in FE (→GE,EE)  

It seems that Chopin hesitated how to mark the climax of the crescendo in this bar, which started in bar 27. In the original version, known from CLI, in which in the L.H. there is a semibreve, the climax is naturally shaped at the beginning of the bar, where the E major chord and the highest note of the melodic line appear. In the final version, the octave leap in the bass somehow complicates the situation – an additional accent appears on the syncopated minim. In Ap both elements were taken into consideration, there is a  sign at the beginning of the bar and   under the syncopation. However, in the version prepared for printing Chopin left – in accordance with the visible in the entire Etude tendency to reduce the number of indications – only  and the accent, placing both next to the minim. According to us, the  sign may in Chopin's intention embrace with its range both the second beat with the syncopation and the beginning of the bar.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Authentic corrections of FE

notation: Verbal indications

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