Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 2, Etude in A minor
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One could wonder whether the value of a quaver for the e-e1 octave in Ap was a result of pianistic (a bigger lap of the L.H. than in the next bar) or structural (a new element of the progression) circumstances or whether Chopin wanted to suggest the performer a certain articulation and expressive detail in this way. In any case, his motivation at the time of writing Ap was not considered in preparations of the piece for publication. In the main text we give the octave as a crotchet, in accordance with FE (→GE,EE).
category imprint: Differences between sources; Corrections & alterations
issues: Chopin's hesitations
notation: Rhythm
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