Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 2, Etude in A minor
The pairs of hairpins in bars 19, 21 and 23 visible in Ap are not contrary to the general crescendo, as they mainly concern the melodic line. The meaning of short signs is unclear (cf. bars 20-22); according to us, they should be interpreted here as diminuendos matching the preceding them crescendos. We do not consider them in the main text.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
notation: Articulation, Accents, Hairpins