Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 2, Etude in A minor
In FEcor Chopin very carefully marked the staccato articulation in the part of the L.H., cf., e.g., the remarks concerning bars 1-7 or 9-17. Therefore, we assume that the lack of dots at the beginning of these bars corresponds to his intention (see bar 45). The marks in Ap are one of numerous detailed performance markings intended – as it seems – only for the use of the addressee of this autograph.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Chopin's hesitations
notation: Articulation, Accents, Hairpins
