Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 2, Etude in A minor
Despite a shorter upper arm of the 
in Ap, according to us, Chopin was rather thinking about a diminuendo from the beginning of the bar. The mark may, yet it certainly does not have to, be considered as an addition to the markings of the main version.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
notation: Articulation, Accents, Hairpins
