Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 2, Etude in A minor
In FEcor (FE→GE,EE) Chopin wrote the reminder about the upper voice's articulation twice – in bars 19 and 21. The hint in bar 19 is justified with the beginning of a new section of the piece, particularly in a situation when in bar 18 a group of semiquavers was embraced with a slur. In turn, the reason to repeat the indication in bar 21 was probably the beginning of a new page in FE, similarly as in bar 11. Cf. also the remark concerning dynamic markings.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Authentic corrections of FE
notation: Verbal indications
