Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 2, Etude in A minor
Lack of the lower octave at the beginning of bars 2 and 6 in Ap suggests Chopin's hesitation concerning its presence – the octaves are both in CLI, representing the earliest stage of the Etude's notation and in FE (→GE,EE), which ends the shaping process of the piece's text. Similarly in bar 10, 14, 37 and 41.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Chopin's hesitations
notation: Pitch
