Page: 
Source: 
p. 2, b. 15-28
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 22-23

No markings in A

 in FE (→GE,EE)

Our suggestion

Both dynamic indications in these bars were added by Chopin during a proofreading of FE (→GE,EE). The  mark was placed at the beginning of the 2nd crotchet in bar 23, which is either a mistake (cf. bar 9) or an example of a notation's convention, sometimes used by Chopin, according to which the mark is not placed at the beginning, yet in the middle of its range of validity (cf. the Etude in C major, No. 1, bar 45).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Authentic corrections of FE, Centrally placed marks

notation: Verbal indications

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4