Page: 
Source: 
p. 2, b. 1-17
p. 1
p. 2, b. 1-17
p. 3, b. 18-35
p. 4, b. 36-53
p. 5, b. 54-73
p. 6, b. 74-95
EE3 - Corrected impression of [EE2]
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF EE3 - Corrected impression of [EE2]

Original in: Royal Academy of Music, London


  b. 1-4

No pedalling in A

Pedalling in FE (→EE,GE1GE2)

GE3 (→GE4)

Our variant suggestion

The pedalling of these bars was added by Chopin during a proofreading of FE (→GE,EE). The editors have doubts whether the moment of the pedal's release in bar 4 was correctly marked (due to harmonic reasons). Therefore, we suggest to release the pedal slightly earlier. Most probably, the reviser of GE3 (→GE4) thought alike, moving the  mark at the end of bar 3.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: GE revisions, Authentic corrections of FE

notation: Pedalling

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4