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Issues : Corrections in A
b. 2
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composition: Op. 10 No 8, Etude in F major
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In A there are visible traces of deleting the original version of the 1st quaver in the L.H. It seems that its notation did not go beyond the staff, it could have been, e.g., the F-c fifth. category imprint: Corrections & alterations issues: Corrections in A |
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b. 4-8
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composition: Op. 10 No 8, Etude in F major
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In A it can be seen that the crotchets in the middle of bars 4 (g) and 8 (f) were originally written as quavers after which relevant rests would follow. category imprint: Corrections & alterations issues: Corrections in A |
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b. 12
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composition: Op. 10 No 8, Etude in F major
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In A there are visible traces of deleting the G1 note. It is unclear whether it was supposed to be a part of the G1-G octave or to be autonomous, instead of G of the final version. category imprint: Corrections & alterations issues: Corrections in A |
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b. 13
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composition: Op. 10 No 8, Etude in F major
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In A, in the middle of the bar there was originally a minim c-g-e1 chord, which was then deleted and replaced with a rest. Eventually, while proofreading FE (→GE,EE), Chopin gave the initial fifth the value of a semibreve. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE |
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b. 44
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composition: Op. 10 No 8, Etude in F major
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Initially, the 1st group of semiquavers in A was category imprint: Corrections & alterations issues: Corrections in A , Errors resulting from corrections , Cautionary accidentals |