Rhythm
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b. 26
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composition: Op. 10 No 8, Etude in F major
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Adding c to the remaining elements of the chord is almost certainly a result of a misunderstanding of the notation of A by the engraver of FE (→GE,EE). category imprint: Differences between sources |
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b. 29
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composition: Op. 10 No 8, Etude in F major
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The D minim is most probably the original version, left in A due to distraction. To the main text we adopt the semibreve, being probably a result of Chopin's proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 31
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composition: Op. 10 No 8, Etude in F major
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The version of A and GE is undoubtedly correct. The single-voice notation of FE (→EE3) is probably a result of a misunderstanding of the autograph's notation. The division into two voices without changing the rhythmic values is certainly a result of the revision of EE4 (similarly in bar 63). category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 47-49
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composition: Op. 10 No 8, Etude in F major
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Various rhythmic values of the elements of the A1-A octave in bars 47 and 49, marked in details in A, were not reproduced in FE (→GE,EE). Most probably, it is a result of misunderstanding of the manuscript. However, it should be emphasised that the pedalling added in a proofreading of FE makes the longer detention of the upper note a purely technical action, without any impact on sound. category imprint: Differences between sources issues: Different values of chord components , Inaccuracies in FE |
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b. 48
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composition: Op. 10 No 8, Etude in F major
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Change of the rhythmic value of the A-d fourth is an arbitrary decision of the reviser of GE2 (→GE3→GE4) and EE4. category imprint: Differences between sources issues: EE revisions , GE revisions |
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