Pedalling
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b. 53-56
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composition: Op. 10 No 8, Etude in F major
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The pedalling was added in a proofreading of FE (→GE,EE). The omitted mark closing the pedal from bar 53, probably by mistake, was completed in GE. In the main text we suggest the same solution. The mark in bar 53 is written in FE (→EE) under the rest. According to us, it is the notation's inaccuracy, therefore, in the main text we move the sign one quaver later. Alternatively, it cannot be excluded that according to Chopin's intention, the pedal should be depressed at the beginning of the bar. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Authentic corrections of FE |
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b. 61-65
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 68-70
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composition: Op. 10 No 8, Etude in F major
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Chopin added the pedalling in a proofreading of FE (→GE,EE). It is not clear whether it is meant to indicate a slightly different performance than in bars 8-10 and 22-24, where there are no indications, or whether Chopin marked the pedalling, which he considered to be obvious from the beginning, only here. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 71-72
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composition: Op. 10 No 8, Etude in F major
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In bar 71 the missing mark after is not striking in A, in which the pedalling is not precisely indicated. However, in FE (→GE,EE) Chopin added indications in adjacent bars, hence in the main text we suggest the moment of the pedal's release (change) in accordance with the harmonic flow. In EE and GE2 (→GE3→GE4), the mark was added earlier, at the end of bar 71. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
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b. 73
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources issues: Authentic corrections of FE |
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