Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 8, Etude in F major
The change of the position of the accent, which in A concerns the A1-A octave and in FE (→GE,EE) the chord at the beginning of the bar, must be considered as inspired or accepted by Chopin. While proofreading FE, the composer added an arpeggio mark and pedalling in the same place, hence it seems to be highly unlikely that he did not see the accent.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Authentic corrections of FE
notation: Articulation, Accents, Hairpins
