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p. 1, b. 1-22
p. 1, b. 1-22
p. 2, b. 23-38
p. 3, b. 39-54
p. 4, b. 55-74
p. 5, b. 75-91
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  b. 18

No accidentals (d) in FE1

 d in FE2

lowering D to D and d1 to d1 in FEJ

Three  D in GE & EE

FE1 does not have a single accidental in this entire bar, which means that the diminished chord d-f-a is the harmonic basis. This is how it was understood in FE2, adding a cautionary  before the 1st quaver of the L.H. Chopin's corrections in FEJ and the error-free version of GE show that Chopin's intention here was to have a D major chord as the harmonic basis. The reviser of EE added the relevant naturals here too. Cf. a further note for this bar. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Errors in FE, Annotations in FEJ, FE revisions

notation: Pitch