



FE1 does not have a single accidental in this entire bar, which means that the diminished chord d-f
-a is the harmonic basis. This is how it was understood in FE2, adding a cautionary
before the 1st quaver of the L.H. Chopin's corrections in FEJ and the error-free version of GE show that Chopin's intention here was to have a D major chord as the harmonic basis. The reviser of EE added the relevant naturals here too. Cf. a further note for this bar.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Annotations in teaching copies, EE revisions, Errors in FE, Annotations in FEJ, FE revisions
notation: Pitch