Rhythm
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b. 18-19
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composition: Op. 45, Prelude in C♯ minor
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The sustaining of a as shown in GE is probably authentic, as there is no special reason for a revision here. On the other hand, the version of FE (→EE) is probably authentic as well, so in our main text we leave the choice to the performer. category imprint: Differences between sources |
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b. 22-23
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composition: Op. 45, Prelude in C♯ minor
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Lack of sustained B in FE is doubtless a mistake, as we can conclude from the presence of the tie in GE (and EE) and from analogous bars, e.g. 8-9 and 12-13. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 24
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composition: Op. 45, Prelude in C♯ minor
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In the main text we give the notation of GE, more coherent with the notation of the suitable octave in bar 26. category imprint: Differences between sources |
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b. 26
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composition: Op. 45, Prelude in C♯ minor
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In the main text we propose an addition to the notation of the second half of the bar similar to the more precise notation of FE1 in bar 8 and GE in bar 22. The notation in FE (→EE) is probably authentic (earlier) and indicates a less careful development of the base text for FE1 – [A1] by Chopin. category imprint: Differences between sources |
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b. 35
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composition: Op. 45, Prelude in C♯ minor
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In FE (→EE) the third b category imprint: Differences between sources issues: Inaccuracies in FE |
1-d