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Issues : Terzverschreibung error
b. 12
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composition: WN 17, Polonaise in B♭ major
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The sound of the 2nd quaver intended by Chopin gives rise to doubts. JC has here a b category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors in PE |
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b. 16
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composition: WN 17, Polonaise in B♭ major
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PE features d2 as the upper note of the crotchet at the beginning of the bar. According to us, it is the so called Terzverschreibung, as using an incomplete chord in a typical cadenza formula ending an eight-bar section is very unlikely. Therefore, in the main text we give b category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Terzverschreibung error , Errors in PE |
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b. 26
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composition: WN 17, Polonaise in B♭ major
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On the 4th quaver of the bar, JC has the a1 note, similarly as on the second. It is almost certainly a mistake, perhaps of Chopin himself committed in [AI]. Such a type of errors belongs to the most often both in autographs and copies. category imprint: Differences between sources issues: Terzverschreibung error , Errors in the number of ledger lines , Errors of JC |
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b. 57
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composition: WN 17, Polonaise in B♭ major
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PE has the e category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors in PE , Partial corrections |
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b. 63
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composition: WN 17, Polonaise in B♭ major
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The accuracy of e category imprint: Differences between sources issues: Terzverschreibung error , Errors in PE |