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Verbal indications

b. 70-71

composition: WN 17, Polonaise in B♭ major

No indications in JC

 in EF

 & other indications in PE

..

In the main text we give accurate and clear dynamic indications of PE. The striking effect of the unexpected harmonic turn, confirmed with a syncopation and resolved in a descending two-bar wave of figurations, appears in the Trio trice (in bars 70-71, 74-75, and earlier in bars 62-63). Each time it is described with details by Chopin. Cf. bars 72-73.

The lonely  in EF is probably an addition by Fontana and does not suggest the richness of the details indicated in PE even in the slightest extent.

category imprint: Differences between sources

b. 70

composition: WN 17, Polonaise in B♭ major

No indication in JC & EF

in PE

..

One can ponder the practical meaning of the indication legato in PE in relation to the slur which already determines this articulation, yet it does not question its authenticity.

category imprint: Differences between sources

b. 72-76

composition: WN 17, Polonaise in B♭ major

No markings in JC & EF

in PE

..

 indications in PE constitute logical endings to diminuendos in the previous bars. Moreover, there are no reasons to question their authenticity. 

category imprint: Differences between sources

b. 73-77

composition: WN 17, Polonaise in B♭ major

No markings in JC & EF

 in PE

..

The indications , defining the echo effect together with  in bars 72 and 76, are a characteristic example of the developed notation of [A] (→PE). Cf. bars 68-69.

category imprint: Differences between sources

b. 74-75

composition: WN 17, Polonaise in B♭ major

No indications in JC

 in EF

 & other indications in PE

..

In the main text we give precise and clear dynamic markings of PE (ben attaccato is to be found in Variations in B Op. 2, bar 321). The indication  in EF was probably added by Fontana.

category imprint: Differences between sources