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b. 70-74
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composition: WN 17, Polonaise in B♭ major
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We propose to complete the accent over the 2nd quaver in bar 70 after the authentic sign given by PE in analogous bar 74. category imprint: Differences between sources; Editorial revisions |
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b. 70
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composition: WN 17, Polonaise in B♭ major
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In PE, the tie sustaining the quaver beginning the sequence of demisemiquavers is absent both here and in analogous bar 74. In spite of that, the sign's oversight – by the engraver or even by Chopin in [A] – seems to be very likely due to the doubtless hold of this note in JC and EF and a structural analogy with bar 62. category imprint: Interpretations within context; Differences between sources issues: Errors in PE |
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b. 70
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composition: WN 17, Polonaise in B♭ major
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In the main text we give the slur of PE, which starts from the quaver. In EF, the beginning of the slur falls on the first of demisemiquavers. In similar contexts, Chopin used both types of notation; it also happens that it is hard to determine from each note the carelessly put slur was meant to start in the autograph. category imprint: Differences between sources |
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b. 70
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composition: WN 17, Polonaise in B♭ major
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In JC, the last note in this bar is an e category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
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b. 70
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composition: WN 17, Polonaise in B♭ major
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In JC, there is no cautionary bass clef at the end of the great stave. category imprint: Source & stylistic information issues: Inaccuracies in JC |
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