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Issues : Last key signature sign
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b. 37
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composition: WN 17, Polonaise in B♭ major
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In JC, both a1 in the group of semiquavers in the R.H. and a in the chord in the L.H. on the 3rd beat of the bar are provided with naturals. It illustrates Chopin's inclination to emphasise the 7th step of the major scale with cautionary accidentals, despite a correct key signature. category imprint: Source & stylistic information |
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b. 49
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composition: WN 17, Polonaise in B♭ major
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JC has a cautionary category imprint: Source & stylistic information |
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b. 51
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composition: WN 17, Polonaise in B♭ major
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JC has a cautionary category imprint: Source & stylistic information |
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b. 70
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composition: WN 17, Polonaise in B♭ major
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In JC, the chords in the L.H. are written with g
In the same manuscript, one can see a number of cautionary accidentals, which somehow remind about their validity: a category imprint: Differences between sources; Source & stylistic information |
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b. 71
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composition: WN 17, Polonaise in B♭ major
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JC has additional flats before e category imprint: Source & stylistic information issues: Last key signature sign |
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