



Pitch
b. 71
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composition: WN 17, Polonaise in B♭ major
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JC has additional flats before e category imprint: Source & stylistic information issues: Last key signature sign |
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b. 71
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composition: WN 17, Polonaise in B♭ major
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In EF first three groups of demisemiquavers are written with an octave sign. In JC the notes are written in the same way, yet the octave sign was omitted, which is a patent error. In this graphic layout the f category imprint: Differences between sources; Source & stylistic information issues: Errors of JC |
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b. 71
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composition: WN 17, Polonaise in B♭ major
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The c note in JC is most probably the copyist's error, which is revealed by d which is present both in EF and PE. In the two remaining similar phrases (bars 62-63 and 74-75), the chord on which the second bar is based differs significantly from the chord in the first bar; adopting the c note as the bass note would reduce the difference mainly to the omission of e category imprint: Differences between sources issues: Errors of JC |
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b. 71
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composition: WN 17, Polonaise in B♭ major
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In JC, the highest note of the chord could be considered as the so-called Terzverschreibung if it was not for the category imprint: Differences between sources issues: Terzverschreibung error , Errors of JC |
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b. 72
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composition: WN 17, Polonaise in B♭ major
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We add a cautionary category imprint: Differences between sources; Source & stylistic information |